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ZEISS cinematography lenses
Whether you are shooting a commercial where exquisite color rendition and high contrast is important, or a tense, dramatic sequence in low light situations for a feature film, ZEISS cinematography lenses offer you the performance you need to get the scene right. With a wide range of focal lengths in twelve different lens families each tailored for your needs, ZEISS cinematography lenses give you always the best quality to make your project stand out.
Lenses For Large Format
Flexibility and performance in a winning combination.
ZEISS has been manufacturing large format cinematography lenses that cover FF35 and beyond for more than ten years. Among them the well-known ZEISS Compact Prime family, the ZEISS Cinema Zooms and of course the ZEISS Supreme Primes that are becoming ever more popular for feature films, TV shows, commercials and other projects.
- Zeiss Supreme Prime Radiance Lenses
- Zeiss Supreme Prime Lenses
- Zeiss Compact Prime CP.3 and CP.3 XD Lenses
- Zeiss Cinema Zoom Lenses
ZEISS Supreme Prime Radiance Lenses
Beautiful look. Full control.
ZEISS Supreme Prime Radiance lenses enable cinematographers to create beautiful, consistent and controlled flares in the image while maintaining contrast and avoiding transmission loss. Yet, they offer all attributes of a modern cinema lens: large-format coverage, high speed, robustness and smooth and reliable focus – all in a small, light-weight package.
ZEISS Supreme Prime Radiance lenses come as a seven-lens set: 21 mm, 25 mm, 29 mm, 35 mm, 50 mm, 85 mm and 100 mm – all T1.5. Although being slightly warmer than regular Supreme Primes, they pair very well with them. That’s why we deliberately went without the extremer focal lengths on both ends of the range that the regular Supremes offer. Just mix and match as you see fit.
- A new coating for a new look: T* blue
- Cinematic large-format coverage and high speed
- Aesthetic focus fall-off and elegant bokeh
- A versatile look and gentle sharpness
- Efficiency and reliability throughout the entire production
- Made in Germany, used and maintained around the globe
- ZEISS eXtended Data technology
Mount Zeiss Supreme Prime & Supreme Prime Radiance Lenses
ZEISS Supreme Prime Lenses
Opening up new dimensions.
Consistency is one of the key elements offered by the ZEISS Supreme Prime lenses: that means consistent coverage, color rendering, aperture, size, weight and ergonomics. All the lenses across the family cover full frame and even bigger sensors with an image circle of 46.3 mm. The Supreme Prime lenses are color matched across the full range and most feature a fast T-stop of T1.5.
The small front diameter of 95 mm on almost all lenses and standardized positioning of the focus and iris rings across the whole family facilitate fast and easy equipment changeout. The compact and lightweight design means you enjoy easy and comfortable handling. The ultra-smooth focus rotation of the Supreme Prime lenses even in extreme temperatures allows for small motors to make sure you have an easy setup that’s enjoyable to work with.
- Cinematic large-format coverage and high speed
- Aesthetic focus fall-off and elegant bokeh
- A versatile look and gentle sharpness
- Efficiency and reliability throughout the entire production
- Made in Germany, used and maintained around the globe
- ZEISS eXtended Data technology
ZEISS Compact Prime CP.3 and CP.3 XD Lenses
Tailored for today’s cinema and beyond.
Digital technologies have transformed traditional filmmaking and refashioned the market. New and innovative technologies in both production and post-production have paved the way for a more versatile, cost effective and advanced workflow. The ZEISS CP.3 family is the latest contribution from ZEISS to support creative and progressive filmmaking with an affordable, future-proof and premium quality lens set.
The ZEISS CP.3 lenses offer the perfect combination of high image quality and reliable usability. They exhibit the clean, crisp characteristics ZEISS is known for, together with an interchangeable mount system and full-frame coverage. The ZEISS CP.3 XD version features innovative and ground-breaking lens data technology to speed-up and simplify the workflow on set and in post-production.
The ZEISS eXtended Data is a unique technology which is based on the /i* Technology and provides information about the lens’ distortion and shading characteristics in real time. With the ZEISS CP.3 XD lenses, even small productions on a limited budget gain access to the advanced techniques common in state-of-the-art, big budget films, commercials and television shows.
- True cine look
- Compactness redefined
- Ultimate cine ergonomics
- Zeiss Extended Data Technology
ZEISS Cinema Zoom Lenses
High-performance cine zoom lenses that make the most of the moment.
The ZEISS Cinema Zoom lenses deliver great flexibility thanks to interchangeable mounts, allowing them to be used with a wide range of cameras from multiple manufacturers. There is a comprehensive choice of cinema zooms with consistent aperture, good sharpness and contrast, minimal distortion and a look that matches the highest quality cinema primes including ZEISS/ARRI lenses. Affordable, flexible and offering the highest quality, the ZEISS Cinema Zoom lenses are an invaluable addition to any film set.
ZEISS Cinema Zoom lenses are precision engineered within the tightest possible tolerances. This guarantees you excellent image quality with low distortion, high resolution and excellent color rendition for sharp, punchy pictures.
- High resolution and contrast; ready for 8K and beyond
- Excellent color correction
- Flare suppression through T* anti-reflex coating and internal light traps
- Low distortion
- Round out-of-focus highlights
- Color matched
ZEISS Cinema Zoom lenses feature exquisite optics in a robust, durable package – two characteristics that will surely remain desirable for decades to come. And thanks to their interchangeable mounts, Cinema Zoom lenses offer the possibility to upgrade to any number of existing or future cine and still cameras while still using the same set of lenses. Additionally, they all cover a full-frame image format without vignetting.
- Full-frame coverage (36 x 24 mm) for focal lengths of 15 to 200 mm
- Common aperture of T2.9
- Sweet spot effect with Super 35 sensors
- nterchangeable mount
- No visible focus shift while change of focal length
- Robust cine-style housing No visible breathing
- Calibrated focus scales
- Nearly 300 degree focus rotation
- Round iris for organic look
- No visible ramping
Lenses For Super 35
ARRI/ZEISS and ZEISS Lenses for Super 35
A perfect combination of camera and lens.
ZEISS has designed and manufactured some of the most used Super 35 lenses in the industry like ARRI/ZEISS Ultra Prime, Master Prime and Master Anamorphic. Besides these iconic lenses we offer a small, reliable and versatile Super 35 Zoom in the form of the ZEISS Lightweight Zoom LWZ.3.
- ARRI / ZEISS Master Anamorphic Lenses
- ARRI / ZEISS Master Prime Lenses
- ARRI / ZEISS Ultra Prime Lenses
ARRI / ZEISS Master Anamorphic Lenses
Revolutionary new technology.
The ARRI / ZEISS Master Anamorphic Lenses have been jointly developed by ARRI and ZEISS. The anamorphic lenses offer a unique optical performance, with optimized flare and bokeh as well as state-of-the-art lens barrels featuring improved dust and water protection.
ARRI / ZEISS Master Prime Lenses
Breathtaking.
The Master Prime lenses have been jointly developed by ARRI and ZEISS. They are both fast and have an optical performance surpassing that of all standard speed primes. Master Prime lenses open up new creative opportunities of film making.
ARRI / ZEISS Ultra Prime Lenses
Highest performance over the entire focusing range.
ARRI / ZEISS Ultra Prime Lenses have the widest focal range of prime lenses giving you the flexibility to get the coverage you want. The Ultra Prime lenses are lightweight standard speed lenses that are a perfect optical match to the high speed ARRI / ZEISS Master Prime lenses. They have been developed in a cooperation of ARRI and ZEISS.
eXtended Data
ZEISS eXtended Data
Expanding your possibilities.
The ZEISS eXtended Data (XD) technology adds new opportunities to simplify and increase the accuracy of the image capture and processing workflow – especially for VFX work. XD is a unique technology that is based on the Cooke /i* technology and additionally provides information about the lens’ distortion and shading characteristics in real time.
ZEISS eXtended Data reduces workflow costs and facilitates the exchange of lens information between the production and post-production departments. It unifies two data sets:
ZEISS eXtended Data technology is based on the Cooke /i* technology and is supported by a wide range of cameras and accessories. Key lens data provides frame-accurate information about:
- Lens name, type and focal length
- Calibrated focusing distance
- Calibrated T-stop value
- Depth-of-field data in real time and hyperfocal distance
- Horizontal field-of-view
- Entrance pupil position
ZEISS eXended Data saves time and money in VFX, virtual production and green-screen production by providing frame-accurate information about:
ZEISS eXended Data technology is based on the Cooke/i* technology and is supported by range of cameras and accessories key lens data provides frame-accurate infomation about:
- Lens distortion characteristics based on the focal point
- Lens shading** characteristics based on the focal point and effective T-stop
On set.
Post-production.
Plugins for Compositing Software.
